-
2024
Pot Shop, with Gregg Moore, 56 Henry, New York, NY, November 1 – December 20
The Potential of Women in Outer Space, with Alice Mackler, Outer Space, Concord, NH, April 5th – July 1st
Sampling a Sampler Sampling, Elizabeth Myers Mitchell Art Museum, St. John’s College, Annapolis, MD, January 20 – April 14
2023
NIRVANA, Don Russell Clayton Gallery, Bernard A Zuckerman Museum of Art, Kennesaw, GA, October 3 – December 9
The World’s a Mess, It’s in My Kiss, Odd-Kin, Providence, RI, September 10 – November 18, extended to January 1
These Boots Are Made for Walkin, Frith Street Gallery, London, England, March 24 – May 5
Feed Your Head, with Gregg Moore, 56 Henry, New York, NY, January 25 – March 5
2022
The Greenhouse, Atelier Amden, Amden, Switzerland, May 21 – June 26
Red Desert, Red Mountain, Red Sea, Magazin III, Jaffa, Israel, March 10 – July 15
Polly Apfelbaum and Josef Herzog, Kunstmuseum Luzern, Luzern Switzerland, March 5 – June 19
For the Love of Una Hale, Arcadia University, Glenside, PA, February 3 – April 17
2021
Some People See Time, with Madeline Hollander, Dries Van Noten’s The Little House, August 7 – September 11
2019
Frequently the Woods are Pink, Jordan Schnitzer Museum of Art at Washington State University, Pullman, WA, August 27-March14
Haystack Hands, Haystack Mountain School of Crafts, Deer Isle, ME, July 21 – September 15
Mugs and Mutts: Chicken Little was Right! The Sky is Falling, Materia, part of “Manif d’art, The Quebec City Biennial” Quebec, Canada, February 16 – April 21
Waiting For the UFO’s (a space between a landscape and a bunch of flowers), Kemper Museum, Kansas City, MO, opens January 24th – April 28th
Through Thick & Thin, with Betsy Kaufman at Kerry Schuss, NYC, June 20 – July 26
Via Appia, Polly Apfelbaum and Isa Melsheimer, Galerie Nächst St. Stephan, Vienna, Austria, May 2 – June 15
Snail bros forever and/or What’s buzzin cousin?, Polly Apfelbaum and Madeline Hollander, Zak’s, Brooklyn, NY, April 6
2018
Waiting for the UFOs (a space between a landscape and a bunch of flowers), Ikon gallery, Birmingham, UK, September 19 – November 18 (travels to Kansas)
Happiness Runs, Belvedere 21, Vienna, Austria, September 7, 2018 – February 10, 2019, curated by Stella Rollig
2017
Dubuffet’s Feet, My Hands, Frith Street Gallery, London, England, November 24 – February 2nd
The Potential of Women, Alexander Gray, New York, NY, September 7 – October 21
Life is not Black and White, Chapelle Saint-Jean, Le Sourn, for L’Art Dans Les Chapelles, Brittany, July 7 – September 17 (catalogue)
Chromatic Scale: Prints by Polly Apfelbaum, National Museum of Women in the Arts, Washington, DC, March 10 – July 2 (pamphlet)
2016
As You Change so Do I / Any Dream Will Do, Luton Town Centre, Luton, UK, December 9 – March 16
Atomic Mystic Portraits, Senior & Shopmaker, New York, NY, November 17 – January 14
Face Geometry, Naked Eyes, Curated by Kate McNamara, Ben Maltz Gallery, OTIS College of Arts and Design, Los Angeles, CA, September 24th – December 4th
The Sound of Ceramics, Polly Apfelbaum and Wang Lu, Cohen Gallery at Brown University, Providence, RI (catalogue) September 30 – November 25
Erasing Tracing Racing Paint, Polly Apfelbaum and Dona Nelson, Michael Benevento, Los Angeles, CA, March 12
2015
Free, 56 Henry, new York, NY, December 11 – January 31st
Deep Purple, Red Shoes, be part, Waregem, Belgium, March 20 – May 21
City of Lights, Center for the Arts at Virginia Tech, VA,
February 12 – May 10Karma Funk Factory, Polly Apfelbaum and Steven Westfall at The Suburban, Milwaukee, WI November 1 – January 23
Free Fall: Lynda Benglis and Polly Apfelbaum, Locks Gallery, Philadelphia, PA, June 12 – July 24
Magic Mushrooms, Polly Apfelbaum and Joanne Greenbaum at Halsey McKay Gallery, East Hampton, NY, May 9 – 31
2014
Color Sessions, Frith Street Gallery, London, England, November 6th – December 20, 2014
Nevermind: Work from the 90’s, Worcester Art Museum, Massachusetts, October 8 – March 1
A Handweaver’s Pattern Book, Clifton Benevento, New York, NY, May 31 – August 8
Evergreen Blue Shoes, Burlington City Arts, Burlington, VT April 18 – June 7
Color Stations, lumber room, Portland, OR, March 16 – April 27
Tony & Polly, Polly Apfelbaum and Tony Feher, lumber room, Portland, OR March 16 – April 27
Electric Zinnia Factory: Polly Apfelbaum, Stephan Westfall, Kunstgalerie Bonn, Bonn, Germany June 6 – July 11
For the Love of Gene Davis: Polly Apfelbaum, Dan Cole, Temple Contemporary, Philadelphia, PA May 13 – July 11
2013
Second That Emotion, Mumbai Art Room, Mumbai, India, March 15 – April 20
2012
Haunted House: Elizaville, T Space, Milan, NY, June 16 – July 22
Planiverse, Galerie Nacht St. Stephan Rosemarie Schwarzwalder, Vienna, Austria, March 30 – May 19
Flatterland: Funkytown, D’Amelio Gallery, New York, March 10 – April 28
Flatland: color revolt, Hansel und Gretel Picture Garden, New York, March 1 – April 28
2011
Double Nickels on the Dime, Benevento Gallery Los Angeles, CA,
September 23 – October 29thHaunted House, Atelier Amden, Amden, Switzerland May 21-July 17
2010
Off Colour, D’Amelio Terras, New York, NY, September 10 – October 23
Polly Apfelbaum: Mini-Hollywood, Yellowstone Art Museum, Billings, MT, April 1 – September 19
Color Notes, Locks Gallery, Philadelphia, PA, March 3 – 25
Polly Apfelbaum / Nicole Cherubini: Studiowork, D’Amelio Terras, New York, NY, July 8 – August 13
2009
Stax, Inaugural Show, Carlow Visual Center for Contemporary Art, Carlow, Ireland,
September 25, 2009- January 16, 2010Black Vegas and Fools Gold, Naomi Arin Contemporary Art, Las Vegas, NV, May 14 – June 12
Anything Can Happen in a Horse Race, Milton Keynes Gallery, Milton Keynes, England, January 31 – March 22
2008
Monochromes 2003-2007, Locks Gallery, Philadelphia, PA, September 2 – September 30
2007
Basic Divisions, Lab Grant, Dieu Donne Papermill, New York, NY,
October 13 – November 21Big Love, Locks Gallery, Philadelphia, PA, October 5 – October 27
Love Sculpture, Frith Street, London. June 29 – August 17
LoveKraft, Solvent Space, Virginia Commonwealth University, Richmond, VA, March 23 – June 30
Love Street, Angles Gallery, Santa Monica, CA, January 6 – February 10
Welcoming the Flowers: Polly Apfelbaum, John Giorno, Senior Shopmaker Gallery, New York, NY, May 3 – June 22
2006
Flags of Revolt and Defiance, Print Publishers Spotlight: The Leroy Nieman Center for Print Studies Columbia University, Barbara Krakow Gallery, Boston, MA, September 9 – October 18
2005
Cartoon Garden, D’Amelio Terras, New York, NY, November 12 – December 23
Good and Plenty, Galerie Nächst St. Stephan, Vienna, Austria, March 16 – April 16
2004
Crazy Love, Love Crazy, Contemporary Art Museum, St. Louis, MO, curated by Paul Ha, January 23 – March 27
2003
What Does Love Have to Do With It, Massachusetts College of Art, Boston, MA, curated by Lisa Tung, October 21 – December 13
Polly Apfelbaum (mid-career survey), Institute of Contemporary Art, Philadelphia, PA, May 2 – July 27; travels to Contemporary Arts Center, Cincinnati, OH, December 5 – February 29, 2004; Kemper Museum of Art, Kemper Museum of Contemporary Art, Kansas City, MO, June 4 – September 5, 2004
Today I Love Everybody, Triple Candie, Harlem, NY, April 26 – May 26
Hover: Polly Apfelbaum and Pae White, Henry Art Gallery, Seattle, WA, October 18 – December 28
2002
Gun Club, Karyn Lovegrove Gallery, Los Angeles, CA, April 27 – May 25
Polly Apfelbaum and Beatriz Milhazes, D’Amelio Terras, New York, NY, April 6 – May 24
2000
Powerpuff, D’Amelio Terras, New York, NY, November 11 – December 12
Skin and Bones, Bowdoin College Museum of Art, Brunswick, ME, January 28 – March 19
Crazy Green, Bruised Orange, Karyn Lovegrove Gallery, Los Angeles, CA, March 18 – April 22
1999
Flying Hearts, Galeria Camargo Vilaça, São Paulo, Brazil, June 2 – July 1
1998
Reckless, Museum of Contemporary Art, Kiasma; Helsinki, Finland, May 30 – August 30
Ice, D’Amelio Terras, New York, NY, April 25 – June 6
Conversations: Polly Apfelbaum and Lynn McCarty, Art Resources Transfer Inc., New York, NY, January 7 – February 1
Beyond Minimalism: Polly Apfelbaum and Tony Feher, Koyanagi Gallery, Tokyo, Japan, September 9 – 30
1997
The Night, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, CA, July 24 – September 7
Floor Drawing, Realismus Studio der NGBK Künstlerhaus Am Acker, Berlin, February 15 – March 23
Polly Apfelbaum/Lucky Debellevue, Dalarnas Museum, Falun, Sweden, December 6 – February 1, 1998
1996
Eclipse, Boesky & Callery Fine Arts, New York, NY, September 3 – October 5
1995
Wallworks and Drawings, Hirschl and Adler Modern, New York, NY, March 11 – April 22
1994
Wall Work, Project Room: Postmasters Gallery, New York, NY, January 7 – February 4
This is Where I Come From, Neuberger Museum of Art, Purchase, NY, September 11 – January 15, 1995, travels to Residence Secondaire, Paris, France, May 21 – June 26
1993
Wonderbread, Galerie Etienne Ficheroulle, Brussels, Belgium, March 5 – April 3
1992
The Blot on my Bonnet, Amy Lipton Gallery, New York, NY, March 14 – April 11
1991
Level World, Hilly Sea, Galerie Etienne Ficheroulle, Brussels, Belgium, March 7 – March 30
The Constellation of the Dart, Sue Spaid Fine Art, Los Angeles, CA, March 1 – 31
1990
Wives’ Tales, Amy Lipton Gallery, New York, NY, November 20 – December 21
The Language of Flowers, Special Projects, P.S.1, Long Island City, NY, April 22 – June 17
1989
The Daisy Chain, Loughelton Gallery, New York, NY, November 18 – December 22
1988
The Somnambulist, Loughelton Gallery, New York, NY, March 26 – April 24
1986
Still Lives, Hallwalls, Buffalo, NY, September 13 – October 25
Wood Work, Paulo Salvador Gallery, New York, NY, April 4 – April 27
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2024
A Planar Garden, curated by Stephen Westfall, Alexandre, New York, NY, November 21 – January 11
Woven Histories: Textiles and Modern Abstraction, curated by Lynne Cooke, National Gallery of Canada, Ottawa, November 8 – March 2, 2025
New Moon Playhouse, the Barn, Arlington, MA, November 2 – December 8
PST Art: Expressive Surfaces: Collaboration & Innovation in Printmaking , Mixografia, Los Angeles, CA, September 21 – November 1
Color Outside The Lines, Jordan Schnitzer Museum of Art at PSU, Portland, OR, August 20 – December 7
Crosscurrents: Contemporary Art from the Speed Art Museum Collection and Beyond, Speed Art Museum, Louisville, KY, July 19 – Ongoing
Alliances, Frith Street Gallery, Golden Square, London, UK, June 5 – August 9
Shaping Fragments, Praise Shadows, Brookline, MA, July 11- August 10
Royal Academy Summer Exhibition 2024, Royal Academy of the Arts, London, UK, June 18 – August 18
Painting Deconstructed, Ortega y Gasset Projects, curated by Leeza Meksin, Brooklyn, NY, May 18 – August 18
Material Girls and Their Muses, Vitrine Fitzrovia, London, UK, March 21 – May 18
Woven Histories: Textiles and Modern Abstraction, National Gallery of Art, Washington, DC, March 17 – July 28
Thread: Making Patterns, Kemper Museum of Contemporary Art, Kansas City, MO, March 7th —January 11th, 2025
New Editions: Polly Apfelbaum and Alison Saar, Mixografia, Los Angeles, CA, February 24 – April 27
Pictorial Resonance, Galerie Thomas Schulte, Berlin, Germany, January 27 – March 2
Counterpoint, Cristea Roberts Gallery, London, UK, January 19 – March 2
2023
To Weave the Sky: Textile Abstractions, El Espacio 23, Miami, FL, November 2 – TBA
Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation, Bellvue Arts Museum, Bellvue, WA, September 30 – March 10
Woven Histories: Textiles and Modern Abstraction, curated by Lynne Cooke, LACMA, Los Angeles, CA, September 17 – January 21
Converge 45: We Are the Revolution: From the Collections of Jordan D. Schnitzer and His Family, Jordan Schnitzer Family Foundation, Portland, OR, August 26 – December 1
Chromazones, Analog Diary, Beacon, NY, July 21 – September 10
Portrait, Frith Street Gallery, London, UK, July 7 – August 12
Work in Progress: The Weisman Museum Collection at 30, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA, May 20 – July 30
Parliament of Plants II, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, May 5 – October 22
Imaginary Friends, The Fundació Joan Miró, Barcelona, Spain, March 16 – July 2 *extended to September 11
Abdolreza Aminlari | Polly Apfelbaum | Marilyn Lerner | Fanny Sanín | Alan Shields,Van Doren Waxter, New York, NY, February 16 – March 25
13 Women: Variation II, Orange County Museum of Art, Costa Mesa, CA, February 14 – August 20
2022
Learn but the letters forme(d) by heart, Then soon you’l gain this noble art. Adams and Ollman, Portland, OR, September 17- October 15
Fun Feminism, Kunstmuseum Basel, Basel, Switzerland, September 24 – March 19
Reunion: A Gathering, Bill Arning Exhibitions Hudson Valley, Kinderhook, NY, July 14 – September 4
Weeds and Spores, Alexandre Gallery, New York, NY, curated by Faye Hirsch, June 22 – August 12
Summer Group Show, Berggruen Gallery, San Francisco, CA, June 9 – July 23
Woven Roving, Galerie Gisela Clement, Bonn, Germany, July 7 – September 15
robin dove swallow thrush, International Center for the Arts, Monte Castello di Vibio, Perugia, Italy, curated by Michelle Grabner, June 24 – August 10
OddKin, Pop up space in East Providence, RI, June 3rd – July 10th
Women in Print: Recent Acquisitions, Cleveland Museum of Art, Cleveland, OH, February 2 – June 19
Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation, American University Museum at the Katzen Arts Center, Washington DC, January 29 – May 22
2021
Flames: The Age of Ceramics, Musée d’Art Moderne de Paris, Paris, France, October 15 – February 6
Glasstress: Window to the Future, The State Hermitage Museum, Saint Petersburg, Russia, September 11 – October 31
Abstranded: Fiber and Abstraction in Contemporary Art, Everson Museum of Art, Syracuse, NY, (postponed until September)
Toes, Knees, Shoulders, Heads + Butts & Guts, organized by Zak Kitnick, Meredith Rosen Gallery, New York, June 17th
10th Anniversary Show, Halsey McKay Gallery, Easthampton, New York, May 28
‘DOWNTOWN 2021’ curated by Sam Gordon at La MaMa Galleria, January 4 – 30
Taking Space: Contemporary Women Artists and the Politics of Scale, Pennsylvania Academy of Fine Arts Contemporary Gallery, Philadelphia, PA, January 21
2020
Animal Crossing, Inman Gallery, Houston, Texas (Digital-LINK) on view July 3 – August 29
Pattern II, curated by Michelle Grabner, Anne Mosseri-Marlio Galerie, Basel,
Switzerland (Digital-Link) April 14 – June 27From the Collection: Polly Apfelbaum, Bones, 2000, Kunstmuseum Liechtenstein, Liechtenstein, February 7 – May 17
The Future is Female | Love Letters, CODA Museum Apeldoorn, Netherlands, March 8 – May 31
When We First Arrived, curated by Ruth Noack, organized by DYKWTCA, Mary Ellen Carroll and Lucas Michael, The Corner at Whitman-Walker, Washington DC January 25- March 29
Out of Place: A Feminist Look at the Collection, Brooklyn Museum, Brooklyn, NY, January 24 – September 13
Color & Complexity: 30 Years at Durham Press, Allentown Art Museum, Allentown, PA, January 19 – May 3
2019
Spinning Ideas. Weaving Art, IVAM, Valencia, Spain, June 26 – October 27
Maneuver, Artist’s Institute, Hunter College, New York, NY, September 18 – December 14, curated by Lynne Cooke
The Interaction of Color, Alan Cristea Gallery, London, England, September 7 – October 26
It’s Necessary to Talk about Trees, River Valley Arts Collective, Catskill NY, September 7-29
What Beauty Is, I Know Not, König Gallerie, Berlin, Germany, August 20 – October 13 curated by Kasper König
Painter’s Reply: Experimental Painting in the 1970s and Now, Lisson Gallery, New York, NY, June 27 – August 9
Closer Look: Intimate-Scale Sculpture from the Permanent Collection, Orange County Museum of Art, Santa Ana, CA, April 7 – September 1
Count of Three, Alexander Gray Associates, New York, NY, April 18 – May 25
Notebook, Curated by Joanne Greenbaum, 56 Henry, New York, NY, February 9 – March 31, 2019
The Aerodrome, an exhibition dedicated to Michael Stanley, Ikon Gallery, Birmingham, UK, June 12 – September 8
Less Is a Bore: Maximalist Art & Design, ICA Boston, Boston, MA, June 26 – September 22
2018
Prism, The Glucksman, University College Cork, Ireland, UK, November 30 – March 17, 2019
Spectrum, Thomas Cole House, Catskill, NY, August 14 – November 18 Curated by Kate Menconeri
Summer Breeze, Frith Street Gallery, London
August 3Some of Our Favorite Things, Ben Maltz Gallery, Otis College, Los Angeles, CA, September 30 – December 9
Taurus and the Awakener, David Kordansky Gallery, Los Angeles, CA
July 21 — August 25, 2018 LinkPLAY:Kortrijk, Kortrijk, Belgium, June 23 – November 11
Art Basel Unlimited, Basel, Switzerland, June 14 – 17th
Paper/Print: American Hand Papermaking, 1960s and Today, IPCNY, New York, NY, April 5 – June 14 curated by Susan Gosin and Mina Takahashi
Just So Stories 1978/2018, Gallerie Nacht St Stephan, Vienna, Austria, May 18 – June 16
Effects That Aren’t Special, 40th Annual Photography Regional, Opalka Gallery, Sage College of Albany, Albany, NY, March 13 – April 21 (catalogue)
Carry the Bend, Brennan & Griffin, New York, NY, March 9 – April 15
Spieltrieb, Jack Hanley Gallery, New York, NY, January 6th – February 4th
2017
The Pulse of Color Kemper Museum of Contemporary Art, Kansas City, KS, November 10 – April 1
Stitch Columbus College of Art and Design, Columbus, OH, August 22 – January 2
An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 Whitney Museum of American Art, New York, NY, August 18 – TBA
Austin Collects Contemporary: Selections from the Blanton’s Recent Gift from The Contemporary Blanton Museum of Art, Austin, TX, August 5 – December 30
Wall to Wall: Carpets by Artists Curated by Dr. Cornelia Lauf, Katonah Museum of Art, Katonah, NY, July 9 – October 1
Summer Breeze: An Ensemble of Gallery Artists, Frith Street Gallery, London, UK July 6 – August 11
Tie Up, Draw Down, co-curated by Natalie Campbell & Carissa Carman, Center for Creativity and Design, Asheville, NC, June 2 – September 2 (catalogue)
Throwing Up Bunnies: The Irreverent Interlopings of Triple Candie, 2001–2016, Addison Gallery of American Art, Andover, MA, January 21 – April 2
Post Election, September, Hudson, NY, January 28 -March 5 link
Bound By Paper – Books, LMAK Gallery, New York, New York, January 19, 2017 – March 5, 2017 > link
Nasty Women Exhibition, The Knockdown Center, Maspeth, Queens, NY,
January 12-15 > link
Forms of Identity: Women Artists in the 90s, Orange County Museum of Art, Newport Beach, CA, Januray7 – April 22016
An Irruption of the Rainbow: Color in 20th-Century Art, LACMA, Los Angeles, CA, December 17 – July 23
XXXMASS, Kate Werble Gallery, New York, NY, December 15 – January 19
Art on Paper: 10 women Artists, The Schneider Museum of Art, Ashland, Oregon, October 28 – January 7
As if in a Foreign Country, curated by Chris Sharp, Galerie Nachst St Stephan, Vienna, Austria, September 9 – October 22
The Natural Flow of Things, Curated by Tania Pardo, La Casa Encendida, Madrid, Spain, Oct 13, (catalogue)
Wall to Wall: Carpets by Artists, Curated by Dr. Cornelia Lauf, MOCA Cleveland, Cleveland, OH, September 23 – January 8 (catalogue)
Painting in Time: Part Two, Guest Curated by Sarah Kate Wilson, Sullivan Galleries, School of Art Institute Chicago, 29th August – 17th December
Fabulous You, Tiger Strikes Asteroid, New York, NY, August 12 – September 11
Routes of Influence, Perez Art Museum, Miami, FL – June 18, 2016 – July 18, 2017
Nature Pops!, Wave Hill Glendora Gallery, Bronx, NY, July 12 – September 5
Haptic, Alexander Gray Gallery, New York, NY, July 7 – August 12
Defining Sculpture, Curated by Douglas Dreishpoon, Albright Knox Art Gallery, Buffalo, NY, June 18 – October 9
Making and Unmaking, Curated by Duro Olowu, Camden Arts Centre, London, UK, June 19 – September 18, Catalogue
Found, Curated by Cornelia Parker, Foundling Museum, London, UK, May 27 – September 4
A Change of Heart, Curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, LA, June 4 – July 16
Start Fresh, Curated by Eva Mantell, Art Council’s Taplin Gallery, Princeton, NJ,
May 6 – June 24
Beyond the Veil: Works from the Permanent Collection, The Bronx Museum of the Arts, Bronx, NY, April 6 – May 30
Pop Reál, Locks Gallery, Philadelphia, PA, March 4 – April 16 (catalogue)
In Conversation, Macy Art Gallery, Teacher’s College, Columbia University, New York, NY, March 7 – 31, Catalogue
Tell It Slant, Curated by Jeff McMillan, Frith Street Gallery. London, UK,
February 12 – April 29
Foundation Barbin Presents Redeux Sort Of, Curated by Lucky Debellevue, Kai Matsumiya, New York, NY, January 5 – February 52015
3 Graces, Everson Museum of Art, Syracuse, NY, September 25 – January 3
Pathmakers: Women in Art, Craft, and Design, Midcentury and Today, Museum of Arts and Design, NYC April 28 – September 27, 2015, National Museum of Women in the Arts, Washington, DC, Oct 23, 2015 – January 31, 2016, National Museum of Women in the Arts, Washington, DC, October 30 – February 28, curated by Jennifer Scanlin
Interwoven: Prints and Process, curated by Kirsten Nelson, Richard and Dolly Maass Gallery, SUNY Purchase College, Purchase, NY, October 5 – November 13
Assisted, Curated by Jessica Stockholder, Kavi Gupta, Chicago, IL,
September 12 – January 16
Beyond Borders, Beaufort Biennial, Mu.ZEE, Ostend, Belgium June 21 – August 31
Le Musee Imaginaire, Lefebvre & Fils Gallery, Paris, France, June 23
In Conversation, Shirley Fiterman Arts Center, Curated by Stephanie Buhmann, May 20 – August 1
Painting in Time curated by Sarah Kate Wilson, The Tetley, Leeds, UK April 3 – July 5
Vessels, Blackston Gallery, New York, NY, March 25 – May 3
Towards Textiles, John Michael Kohler Arts Center, Sheboygan, WI, March 13th
Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Waltham, MA, February 10
Oysters with Lemon: An exhibition in Three Parts, Curated by Andrew Huston and Michael Zahn, Ventana244, Brooklyn, Part 1 opens January 2nd
Looking Back: The 9th White Columns Annual, White Columns, NYC,
January 13th – February 26th
Photo Shop, curated by David Pagel at East & Peggy Phelps Galleries, Claremont, CA, January 20 – February 62014
It’s Not the Numbers, Locks Gallery, Philadelphia, November 14 – December 23
Painting and Beyond, kunstgaleriebonn, Bonn, Germany, November 20, 2014 – January 24, 2015
About Like So: The Influence of Painting, Franklin Street Works, Stanford, CT, November 22nd, 2014 – February 22, 2015
Markshmallow, Galerie Mark Müller, Zürich, Switzerland, November 22 – January 10
Silver, Frith Street Gallery, London, UK, October 17th – December 17th
Pressed Flowers, Heller Gallery, NY, New York, October 23rd – December 7th, Curated by Cathy Howe
Ambulance Blues, curated by Erin Falls, Basilica Hudson, Hudson, NY, August 2-18
Colour on Paper, Galeria Leme, San Paolo, Brazil, June 26 – August 16
Domesticity, Jason McCoy Gallery, New York, NY June 30 – August 15
Summer Exhibition, Royal Academy of Arts, London, England June 9 – August 17
Radical Repetition: Albers to Warhol, Whatcom Museum, Bellingham, WA, April 19 – August 17
If You’re Accidentally Not Included, Don’t Worry About It., Zurcher Studio, New York, NY, April 5 – May 3, Paris, France, October 31 – December 22, 2014
Cherub, 2nd Cannons Project Space, Los Angeles, CA March 22 – May 10
Petroleum Jelly, Clifton Benevento, New York, NY March 8 – April 12
The Last Brucennial, New York, NY March 7 – April 42013
Butterfly Effect, Kemper Museum of Contemporary Art, Kansas City, Missouri December 20 – June 15
AMERICANA: Formalizing Craft, Perez Art Museum Miami, Miami, FL
December 4 – July 1
ESPRIT DIOR, Miss Dior Exhibition, Galerie Courbe du Grand Palais, Paris France November 13 – November 25, traveled to Shanghai Sculpture Art Space June 22 – July 22, 2014 and Ullens Center for Contemporary Art, Beijing, April 30th – May 31st, 2015
Regarding the Forces of Nature: From the Alma Thomas to Yayoi Kusama, Bowdoin College Museum of Art, Brunswick, ME October 31 – February 9
Rewilding Modernity: Greenberg, Emma Lake and the Undead, The Mendel Art Gallery, Saskatoon, Canada, curated by Lisa Baldissara September 27 – January 5
Entrée libre mais non obligatoire/ Free (But Not Compulsory) Admission, Noel Dolla Villa Arson, Nice, France June 30 – October 21
Serious Play, Caelum Gallery, New York, NY, curated by Alex Goodman and Rory McCullough May 21 – May 25
Glasstress: White Light/White Heat, curated by James Putnam and Adriano Berengo, Glasstress, Venice, Italy June 1 – November 24; traveled to The Wallace Collection, London, UK November 27 – February 3 (catalogue)
Untitled (Hybrid): Lee Krasner, curated by Kate McNamara, Robert Miller Gallery, New York, NY April 19 – June 1
Through the Eyes of Texas: Masterworks from Alumni Collections, Blanton Museum of Art, The University of Texas at Austin, Austin, TX, February 24 – May 19 (catalogue)
The Annual: 2013, National Academy Museum, New York, NY January 31 – May 5
Wit, The Painting Center, New York, NY (catalogue) January 29 – February 232012
Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art, New York,
September 18 – December 31; traveled to The Warhol Museum February 3 – April 28 (catalogue) Simpatico, Boston University Art Gallery, Boston, MA September 7 – October 21
A Native Hill: Artists of the Valley, Henry Hudson Studios, Hudson, NY, July 28
Cosmo, Klaus von Nichtssagend Gallery, New York, NY June 8 – August 4
Stone Gravey, Ameringer, McEnery, Yohe, New York, May 31 – July 7 (catalogue)
Watch Your Step, Flag Art Foundation, New York, June 7 – August 24
Women’s Work, National Academy Museum, New York, May 23 – August 26
Loughelton Revisited, Winkleman Gallery, New York, curated by Barbara Broughel, April 27 – May 26
Spectral Landscape with Viewing Stations / Color and Contemporary Art, curated by Pamela Fraser and John Neff, Gallery 400 at The University of Illinois at Chicago, April 27 – June 9 (brochure)
Salon Zurcher, Zurcher Studio, New York, March 5 – 12
Repeat after me, New Mexico Museum of Art, Sante Fe, New Mexico,
January 13 – April 222011
Painting… E X P A N D E D, Espacio 1414, Santurce, Puerto Rico, curated by Marysol Nieves, Puerto Rico, November 3, 2011 – July 1, 2012
Dorothea, Ancient & Modern, London, June 30 – August 13 (catalogue)
Affinities: Painting in Abstraction, D’Amelio Terras, New York, NY, curated by Kate McNamara, June 30 – August 29
Women and Weaving, Southfirst Gallery, Brooklyn, NY, June 24 – July 24
Pressing Ideas: Fifty Years of Women’s Lithographs from Tamarind, National Museum of Women in the Arts, Washington, D.C., June 17 – October 2
Print Publisher Spotlight, The Leroy Neiman Center for Print Studies Columbia University School of the Arts, Pace Prints Chelsea, New York, May 27 – July 9
A Painting Show, Harris Lieberman, New York, May 6 – June 42010
It’s All American, NJ MOCA, Asbury Park, NJ, October 23 – November 18
Anguish, Downtown Gallery, Memphis College of Art, Memphis, TN, October 4 – November 7
The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, September 18, 2010 – February 27, 2011
After the Volcano: a summer show of gallery artists, Frith Street Gallery, London, UK, July 3 – August 14
Not Extractions, But Abstractions (Part 2), Clifton Benevento Gallery, New York, NY, June 27 – August 14
Wild Things, Kunsthallen Brandts, Odense, Denmark, June 25 – September 19 (catalogue)
Dr. Zomb, Glendale Community College, Glendale, CA, June 25 – July 26
75 Seconds: Selected Polaroid Projects, Massachusetts College of Art and Design, Boston, MA, May 17 – August 20
Better Half, Better Twelfth, Sheldon Museum of Art, Lincoln, NE,
April 12, 2010 – April 1, 2011
Hecate’s Lab, Senior & Shopmaker Gallery, New York, NY, April 23 – June 132009
Topographies, Albright Knox Museum, Buffalo, NY, November 13, 2009 – February 28, 2010
Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA, curated by Sara Krajewski, October 3, 2009 – March 6, 2011
Blocks of Color – American Woodcuts from the 1890’s to the Present, Zimmerli Art Museum, Rutgers University, NJ, September 1, 2009 – January 3, 2010
Besides, With, Against and Yet – Abstraction and the Ready-made Gesture, The Kitchen, New York, NY, November 13 2009 – January 16 2010
New Now: Building the Collection, The Nerman Museum, Overland Park, MO, January 24 – March 29
Extended Family: Contemporary Connections, Brooklyn Museum of Art, Brooklyn, NY, August 4 – Unknown
Painting and its Surroundings, Palacio de Sastago, Zaragoza, Spain, May 29 -July 2009 (catalogue)
Boden und Wand / Wand und Fenster, Helmhaus, Zurich, February 6 – March 29 (catalogue)
Seduction of a Blossom, Long Beach City College, Long Beach CA,
January 21 – February 26
Drawing in the world, Rosenwald-Wolf Gallery, The University for the Arts. Philadelphia, PA January 22 – February 22
Sparkle and Glitter, Locks Gallery, Philadelphia, PA, January 10 – February 21
Great Women Artists: Artist’s from the Permanent Collection, Neuberger Museum of Art, Purchase College, Purchase, NY, November 23 – February 22
Burning Down the House, Elizabeth Sackler Center for Feminist Art, Brooklyn Museum of Art, Brooklyn, NY, October 31 – April 5
Present Tense, Spanierman Modern Gallery, New York, NY June 12 – August 2
Lines, Grids, Stains, Words, Fundacao de Serralves Porto, Portgal, May 9, 2008 – July 13, 2008, travels to
Museum Weisbaden, Germany September 28, 2008 – January 19, 2009
In the trees, Art OMI Sculpture Fields, Ghent, NY, June 21 – November 1
Hair of the Dog, Center for Contemporary Art, Santa Fe, NM, April 5 – May 25
Flower Power: A Subversive Botanical, New Mexico Museum of Art, Santa Fe New Mexico, February 1 – May 11
Thanks for coming Triple Candie Anniversary Show, March 26 – April 27
Revision, Reiteration, Recombination: Process and the contemporary print, University of Florida in Orlando, Orlando, Florida, January 17 – February 21 travels to Gallery at the College of Visual Arts, St. Paul, Minnesota, March 6 – April 52008
Notations: the Closing Decade, Philadelphia Museum of Art, Philadelphia, PA, November 21 2008 – November 21
2007
Polly Apfelbaum, Goldiechiari, Ann Veronica Janssens, Blancpain Art Contemporain Geneva, Switzerland November 10 – January 12, 2008
Deja-Vu, Collection FRAC Nord, Noyon Boutique, Calais, France,
November 16 – December 21
PostDec Beyond Pattern and Decoration, Joseloff Gallery, Hartford Art School, University of Hartford, West Hartford, Conn, Wt Hartford, Conn, November 9 -December 23 (catalogue)
Pink, Galerie Mirchandani + Steinruecke, Mumbai, India, August 8 – September 21 (catalogue)
Whole Fragment, Sheppard Fine Arts Gallery, University of Nevada, Reno, October 15 – November 9 (catalogue)
Taking Shape, Lennon, Weinberg, New York, July 12 – September 15
Lines , Grids, Stains, Words, The Museum of Modern Art, New York, NY,
June 13 – September 10
Viewfinder, Henry Art Gallery, Seattle, WA, July 7 – September 9 (catalogue)
Slingball, Mönchehaus-Museum for Modern Art, Goslen, Germany, May 12 – July 1
Painterly Abstraction, Locks Gallery, Philadelphia, PA, May 1 – May 31
Conversations, Travesia Cuatro, Madrid, Spain, April 12 – May 7
A Consuming Vision: Selections from the Kemper Museum, Telfair Museum of Art, Savannah, GA, March 15 – June 10
The Handmaking, Abington Art Center, Jenkintown, PA April 14 – July 29 (catalogue)
Comic Abstraction: Image Breaking, Image Making, The Museum of Modern Art, New York, NY, March 4 – June 11, 2007 (catalogue)
Like Color in Pictures, Aspen Art Museum, Aspen, CO, February 16 – April 15 (catalogue)2006
Resonance, Frith Street Gallery, London, UK, November 2 – December 21
Materiality, Kravets/Wehby, New York, NY, June 29 – August 25
Garden, Handcenter for the Arts, Richmond, VA Settember 8 – October 15
Zeigen. Eine Audiotour, Galerie Nächst St. Stephan, Vienna, Austria,
April 8 – May 20
Contemporary Masterworks: St. Louis Collects, Contemporary Art Museum St. Louis, St. Louis, MO, April 7 – June 11
The Big Picture in the Small Gallery, Peggy Phelps Gallery, Claremont Graduate University, Claremont, CA, March 6 – 10
Selections from the Leroy Neiman Center for Print Studies, Columbia University, Marianne Boesky Gallery, New York, NY, January 10 – February 4
Print Run: An Exhibition of Prints, Frith Street Gallery, London, UK
January 13 – February 262005
Resis-tances Hommage a Remy Zaugg Fonds, Regional d’art Contemporain, Dunkerque, France December 10, 2005 – March 11, 2006
Frontiers: Collecting the Art of OurTime, Worcester Art Museum, Worcester, MA, November 13 – February 12, 2006
Eccentric Modern, The Foundation To-Life, Inc., Mount Kisco, NY,
October 2005 – Summer 2006
Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY, July 8 – October 16, (catalogue)
The Shape of Colour: Excursions in Colour Field, The Art Gallery of Ontario, Toronto, Canada, June 1 – August 7, (catalogue)
POPulence, Blaffer Gallery, University of Houston, Houston, TX, June 25 – August 27, 2005;
travels to Cleveland Museum of Contemporary Art, June 25 – December 30, 2005
and Southeastern Center for Contemporary Art, Winston- Salem, North Carolina
January 21 – April 2, 2006 (catalogue)
Polly Apfelbaum, Katharina Grosse, Karin Sander, Jessica Stockholder, Galerie Nächst St. Stephan, Vienna, Austria, June 24 – July 31
Very Early Pictures, Luckman Gallery, California State University, Los Angeles, CA, May 26 – July 23, 2005: travels to Arcadia University Art Gallery, Glenside, PA, August 26 – October 30
Color/Pattern/Grid: Selections from the Austin Museum of Art, The Austin Museum of Art, Austin, TX, March 5 – May 15
30 Ways to Make a Painting, Carl Solway Gallery, Cinncinnatti, OH
In the Abstract, Angles Gallery, Santa Monica, CA, January 21 – February 19
One-Armed Bandit, D’Amelio Terras, New York, NY, January 8 – February 122004
Lodz Biennale, Lodz, Poland, October 2 – October 31
Soft Edge, Museum of Contemporary Art, Chicago, IL, July 10 – January 2005
Optima, Ballroom, Marfa, Texas April 23 – June 6
Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh, PA, May 16 – September 5
The 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY, May 6 – June 20
Settlements, Musée d’art moderne, La Terrasse, Saint-Etienne, France, (catalogue)
A Kind of Bliss, The Drawing Room, London, UK, February 19 – March 20; traveled to Mead Gallery, University of Warwick, Coventry, England, May 29 – June 262003
Endless Love, DC Moore Gallery, New York, NY
Hands to Work, Mind to Art, Borusan Foundation for Art and Culture, curated by Elga Wimmer, November 14 – January 18, 2004
Jessica Stockholder, Gorney Bravin & Lee, New York, NY, October 10 – November 15
3-2-1, Gallery M, New York, NY, October 11 – November 15
Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections, Dallas Museum of Art, Dallas, TX, September 7 – March 28, 2004
Plingeling, Magasin 3, Stockholm, Sweden, September 6 – December 14
NYPD: New York Pattern & Decoration, Shoshana Wayne Gallery, Santa Monica, CA, curated by Michael Duncan, September 6 – October 4
Rendered, Sara Meltzer Gallery, New York, NY, June 17 – August 1
Bienal de Valencia, vacant lots, Valencia, Spain, June 1 – September 30 (catalogue)
My Mother is an Artist, Ernest Rubenstein Gallery at The Educational Alliance, New York, NY, curated by Sheila Pepe, April 26 – May 29
Splat, Boom, Pow: The Influence of Comics in Contemporary Art, Contemporary Arts Museum, Houston, TX, April 12 – June 29 (catalogue); travels to Institute of Contemporary Art, Boston, MA, September 17 – January 4, 2004 and the Wexner Center for the Arts, Columbus, OH, January 31 – May 4 2004
Stop & Go, FRAC Nord-Pas de Calais, Dunkerque, France, April 11 – June 21
Stacked, D’Amelio Terras, New York, NY, February 22 – March 222002
Sprawl, Contemporary Art Center, Cincinnati, OH, curated by Sue Spaid, April 13 – June 9
Spookie Knowledge, Pearl, London, UK, March 1 – 31
Invitational Exhibition of Painting and Sculpture, Academy of Arts and Letters, New York, NY, March 4 – April 7
Painting Matter, James Cohan Gallery, New York, NY, May 3 – June 1
Support/Surface Prescient: Then and Now, Dorsky Gallery Curatorial Projects, Long Island City, NY, curated by Saul Ostrow, May 19 – July 15 (brochure)
Kraftpuffar Kammare Rotsystem, Skulpturens Hus, Stockholm, Sweden,
February 22 – April 28
The Eye of the Beholder, Dundee Contemporary Arts, Dundee, Scotland,
February 15 – April 7
Officina America, Galeria d’Arte Moderna, Bologna, Italy, curated by Renato Barilli2001
Max 2001: All About Paint, The University of Memphis Art Museum, Memphis, TN, curated by Holly Block, May 26 – July 14 (catalogue)
As Painting: Division and Displacement, Wexner Center for the Arts, Columbus, OH, May 12 – August 12 (catalogue)
Best of the Season, Aldrich Museum of Contemporary Art, Ridgefield, CT, September 23 – December 30
Drawings, Frith Street Gallery, London, UK, April 6 – May 18
Summer show, D’Amelio Terras, New York, NY, June 21 – July 27
Making the Making, curated by Charles Goldman, Apex Art, New York, NY, January 5 – February 3 (brochure)
Objective Color, Yale University Art Gallery, New Haven, CT, February 2 – March 25
Operativo, Museo Rufino Tamayo, Mexico City, Mexico, August 23 – November 18
Patterns: Between Object and Arabesque, Kunsthallen Brandts ,Klaedefabrik, Denmark, September 21 – December 17 (catalogue); traveled to Pori Art Museum, Pori, Finland, January 12 – March 10, 2002
The Return of the Real: A Selection from the Daniel Hechter Art Collection, Tel Aviv Museum of Art, Tel Aviv, Israel, June 26
Sculpture as Field, Kunstverein Gottingen, Gottingen, Germany, July 29 – September 23 (catalogue)
Six Contemporary Artists, Clifford Gallery, Colgate University, Hamilton, NY, curated by Michael Jenkins, October 15 – November 16 (brochure)
Waterworks: U.S.Akvarell 2001, Nordiska Akvarellmuseet, Skarhamn, Sweden, curated by Kim Levin, May 20 – September 2 (catalogue)2000
Painting Pushed to Extremes, Worcester Art Museum, Worcester, MA, July 15 – November 12 (brochure)
Paint Land, Lemon Sky Projects, Los Angeles, CA, curated by Terry R. Myers, July 24 – September 17
Live From New York, Haines Gallery, San Francisco, CA, January 11 – February 19
Summer group show, D’Amelio Terras, New York, NY
Painting Function: Making It Real, SPACES, Cleveland, OH, curated by Saul Ostrow, January 7 – February 18
spilled edge soft corners, Blackwood Gallery, The University of Toronto at Mississauga, Toronto, Ontario, Canada, January 14 – February 13; traveled to Galerie Christiane Chassay, Montreal, Quebec, Canada, May 13 – June 10
Geez Louise: Art After Louise Nevelson, Educational Alliance Gallery, New York, NY, December 2 – January 14, 20001999
Chromaform: Color in Sculpture, Nevada Institute for Contemporary Art, Las Vegas, NV, November 20 – January 2, 2000; traveled to New Mexico State University Art Gallery, Las Cruces, NM and University of Texas Art Gallery, San Antonio, Texas (catalogue)
Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, TX, April 23 – July 18 (catalogue); traveled to The Kemper Museum of Contemporary Art, Kansas City, MO
The Body in Question: Tracing, Displacing, and Remaking the Human Figure in Contemporary Art, Speed Art Museum, Louisville, KY, July 6 – August 22
New York: Neither/Nor, Grand Arts, Kansas City, MO, curated by Bill Arning, June 17 – August 8 (brochure)
Postmark: An Abstract Effect, Site Santa Fe, NM, curated by Louis Grachos and Bruce W. Ferguson, March 27 – June 13 (catalogue)1998
Hindsight, The Whitney Museum of American Art, New York, NY, December 17 – February 21, 1999
Colorfields, Luckman Fine Arts Gallery, Los Angeles, CA, curated by David Pagel, November 14 – January 10, 1999
Everyday, organized by Jonathan Watkins, 11th Biennale of Sydney, Australia, September 17 – November 8 (catalogue)
Humble County, D’Amelio Terras, New York, NY, June 11 – July 31
Painting Objectives, Galerie Evelyne Canus, France, curated by Shirley Kaneda, April 17 – June 6
Decorative Strategies, The Center for Curatorial Studies, Bard College, Annadale-on-Hudson, NY, April 5- April 19 (brochure)
Spatiotemporal, Magasin 3 Stockholm Konstall, Stockholm, Sweden, March 28 – June 14 (catalogue)
Alternative Measures, College of New Rochelle, NY, curated by Susan M. Canning, February 1 – April 5 (catalogue)
Homemade Champagne, Claremont Graduate University, CA, organized by David Pagel, January 12 – February 13 (catalogue)1997
Simple Form, Henry Art Gallery, University of Washington, Seattle, WA, November 13 – February 1, 1998 (Zabriskie Point)
Hanging By A Thread, Hudson River Museum, Yonkers, New York, NY,
October 3 – February 17, 1998 (catalogue)
Divergent Models, Nassauischer Kunstverein Weisbaden e.V., Germany, curated by Saul Ostrow, February 15 – March 23 (catalogue)
Other, 4th Biennale D’art Contemporain de Lyon, France, curated by Harald Szeemann, July 9 – September 24 (catalogue)
Variations of Structure, Trans Hudson Gallery, New York, NY,
September 3 – October 11
Working Out the Kinks, Herslebsgate 10b, Kunstlerhaus Bethanien, Berlin, Germany, organized by Sue Spaid, March 20 – March 23 (traveling)
Women’s Work: Examining the Feminine in Contemporary Painting, Southeastern Center for Contemporary Art, Winston-Salem, NC, July 19 – September 30 (brochure)
Sculpture, James Graham & Sons, New York, NY, July 10 – August 29
Onomatopoeia, Studio La Cittá, Verona, Italy, curated by Anthony Iannacci, July 5 – September 27 (brochure)
Fashion Moda, Cleveland Center for Contemporary Art, Cleveland, OH, curated by Lisa Marks. May 2 – August 10 (brochure)
After the Fall, Snug Harbor Cultural Center, Staten Island, NY, curated by Lilly Wei, March 27 – June 29 (catalogue)
Vraiment:feminisme et art, Le Magasin, Grenoble, France, curated by Laura Cottingham, April 5 – May 25 (catalogue)
Woven in Oaxaca, A/D Gallery, New York City, NY1996
Getting Physical, Johnson County Community College, Kansas City, MO, October 17 – December 8 (brochure)
Painting-The Extended Field, Magasin 3, Stockholm, Sweden, October 13 – December 19 and Rooseum Center for Contemporary Art, Malmo, Sweden, January 25 – April 6, 1997 (catalogue)
Installations, St.Mark’s Positions, New York, NY, September 20 – October 26
Painting All-Over, Again, Ayuntamiento De Zaragoza, Zaragosa, Spain, curated by Saul Ostrow (catalogue)
Der Fleck, Galerie Im Kornerpark, Berlin, Germany, curated by Dr. Peter Flunken, March 9 – April 14
Painting In An Expanding Field, Bennington College, Bennington,VT, curated by Saul Ostrow
The Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica, CA, February 3 – March 301995
Painting Outside Painting, 44th Corcoran Painting Biennial, Corcoran Museum of Art, Washington, D.C., curated by Terri Sultan, December 16 – February 19, 1996 (catalogue)
Skew: The Unruly Grid, Gallery 400, University of Illinois at Chicago, Chicago, IL
Smells Like Vinyl, Roger Merians Gallery, New York, NY, organized by Thaddeus Strode and Sarah Seager, July 6 – August 19
Re:Fab, University of South Florida Contemporary Art Museum, Tampa, FL, October 30 – December 22 (catalogue); traveled to Wolfson Galleries, Miami-Dade Community College, Miami, FL, November 6 – December 20, 1996 and Robert Hull Fleming Museum, University of Vermont, Burlington, VT, January 21 – April 20, 1997
Raw, Postmasters Gallery, New York, NY, October 14 – November 11
Tampering: Artists and Abstraction Today, High Museum of Art, Atlanta, GA, October 10 – January 7, 1996 (brochure)
Conceptual Textiles, Kohler Arts Center, Sheboygan, WI, September 22 – January 6, 1996 (catalogue)
Painting The Intimate View, The Painting Center, New York, NY, curated by Betty Cunningham, February 7 – March 4
Permanent Collection Exhibition, Brooklyn Museum of Art, Brooklyn, NY
Fashion Moda, Entwistle, London, UK, curated by Lisa Marks, June 23 – July 29
Color: Sign, system, sensibility, Stark Gallery, New York, NY, June 6 – July 21
Like Young: Twelve New York Painters, Three Rivers Festival, Pittsburgh, PA, curated by Ingrid Schaffner, June 1 – 17
30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York, NY and The Israel Museum, Jerusalem, Israel, April 5 – 8
Pittura-immedia, Neue Galerie am Landesmuseum Joanneum, Graz, Austria. March 11 – April 18 (catalogue)1994
D.I.Y., White Columns, New York, NY, curated by Paul Ha, November 11 – December 18
The Social Fabric, Beaver College Art Gallery, Glenside, PA, November 9 – December 20 (catalogue)
Revisioning the Familiar, Ezra and Cecile Zilkha Gallery, Weslyan University, Middletown, CT, August 30 – October 2 (catalogue)
Sense and Sensibility: Women and Minimalism in the 90’s, The Museum of Modern Art, New York, NY, curated by Lynn Zelevansky. June 16 – September 11 (catalogue)
Redefining the Pop Icon in the 90’s, Pamela Auchincloss Gallery, New York, NY, June 2 – July 23
Polly Apfelbaum/Tony Feher/Claudia Matzko, Patrick Callery Gallery, New York, NY, February 4 – March 12
Up the Establishment: ICI 20th Anniversary Benefit Exhibition, Sonnabend Gallery, New York, NY, curated by Dan Cameron, May 19 – June 25
Untitled, Postmasters Gallery, New York, NY, February 19 – March 191993
Legend In My Living Room, curated by Terry R. Myers, Rhona Hoffman Gallery, Chicago, IL, October 22 – December 24 (brochure)
Playing House, Natalie Karg Gallery, New York, NY, May 13 – May 29 (catalogue)
Transient Décor Room 311, Roger Smith Hotel, New York, NY, organized by Horodner Romley Gallery, May 12 – May 26
Empty Dress: Clothing as Surrogate in Recent Art, traveling exhibition 1993- 1996,organized and circulated by ICI, New York, NY, curated by Nina Felshin (catalogue)
Future Perfect, Heiligenkreuuzerhof, Vienna, Austria, curated by Dan Cameron, April 7 – May 15 (catalogue)
Yours, Wooster Gardens, New York, NY, curated by Michael Jenkins, January 9 – February 13
Object Bodies, Depauw University, Greencastle, IN, curated by Terry R. Myers September 26 – October 31 (catalogue); traveled to Indiana State University, Terre Haute, IN, January 23 – February 13, 1994
Surfs Up, Horodner Romley Gallery, New York, NY (brochure)
Just to name a few…, Barbara Weiss Gallery, Berlin, Germany, January 26 – February 271992
Anti-Masculine…, Kim Light Gallery, Los Angeles, CA, curated by Bill Arning, December 5 – January 16
In and Out, Back and Forth, Julia Arts Foundation, New York, NY, November 5 – December 5 (catalogue)
Material Boundaries Between the Sexes, Genovese Gallery, Boston, MA,
October 10 – November 5
An Essemplastic Shift, A/C Project Room, New York, NY. June 5 – July 1
Shape Shifters, Amy Lipton Gallery, New York, NY, September 19 – October 17
Outside Possibilities, The Rushmore Festival, Woodbury, NY, curated by Bill Arning, June 7 – July 5
Selected Passages, Galerie Jousse Seguin, Paris, France, June 30 – July 31
Mssr. B’s Curio Shop, Threadwaxing Space, New York, NY, curated by Saul Ostrow, June 6 – July 11 (catalogue)
Detour, International House, Columbia University, New York, NY, April 24 – May 27 (catalogue)
There Is A Light That Never Goes Out, Amy Lipton Gallery, New York, NY, curated by Terry Myers, January 4 – February 1 (brochure)1991
Plastic Fantastic Lover, ‘objet a, BlumHelman Warehouse, New York, NY, curated by Catherine Liu, October 12 – November 9 (catalogue)
Sculpture Festival, Snug Harbor Cultural Center, Staten Island, NY, June 16 – October 27
When objects dream and talk in their sleep, Jack Tilton Gallery, New York, NY, July 2 – August 101990
All Quiet on the Western Front, Espace Dieu, curated by Antione Candau and Gerard Delsol, Paris, France, September 26 – December 31 (catalogue)
Reconciling the Unverified: New Metaphysical Art, Amy Lipton Gallery, New York, NY, curated by Roger Denson, September 15 – October 13 (brochure)
Animation and Ornament, Lowe Gallery, Syracuse University, Syracuse, NY, March 26 – May 3 (brochure); traveled to Gibson Gallery, SUNY Potsdam, Potsdam, NY, October 19 – November 11
In Her Image, Barbara Toll Gallery, New York, NY, June 20 – July 20
The Engineered Object, Coup de Grace Gallery, New York, NY, June 9 – July 7
Drawings, Althea Viafora Gallery, New York, NY, June 9 – July 21
Shaman, John Good Gallery, New York, NY, January 5 – January 27
Suggestive Objects, Art in General, New York, NY, April 7 – May 5
Corporealities, Sue Spaid Fine Art, Los Angeles, CA, July 28 – August 26 (brochure)
Sculpture: Polly Apfelbaum, Richard Rezac, Joe Smith, CCA, Chicago, IL, December 1 – January 6, 1991
A Force of Repetition, New Jersey State Museum, Trenton, NJ, July 21-September 23 (catalogue)
Je Viens de Chez le Charcutier… , Galerie Ghislaine Hussenot, Paris, France, June 7 – June 14
Catalog, Gracie Mansion Gallery, New York, NY, June 5 – July 13
Acquisitions 1989, FNAC, Paris, France, December 19 – January 16, 1991 (catalogue)
Fragments, Parts, Wholes: The Body and Culture, White Columns, New York, NY, curated by Saul Ostrow, February 16 – March 111989
Drawings, Wolff Gallery, New York, NY, November 25 – December 22
Filling in the Gap, Feigen Gallery, Chicago, IL, curated by Saul Ostrow, September 8 – October 7 (catalogue)
Containers, Shoshana Wayne Gallery, Santa Monica,CA, curated by David Pagel, May 12 – June 13
About Devices, White Columns, New York, NY, February 16 – March 11
The Milky Way, curated by Stephen Westfall, Shoshana Wayne Gallery, Santa Monica, CA, July 22 – September 16 (catalogue)1988
Palestra, curated by Vera Vita Gioa, Castello di Rivara, Rivara, Italy,
September 24 – November 15 (catalogue)
Polly Apfelbaum/Tom Radloff/Carol Szymanski, Loughelton Gallery, New York, NY, February 21 – March 15
Fabricated Not Found, Loughelton Gallery, New York, NY, November 8 – 30
Contemplating Things, fiction/non/fiction, New York, NY, June 11 – July 51987
The Level of Volume, Carl Soloway Gallery, Cincinnati, OH, organized by Judy Pfaff, April 3 – May 16
The Double Bind, Loughelton Gallery, New York, NY, June 6 – July 31986
Artists in the Marketplace, Bronx Museum of Art, Bronx, NY, July 12 – 31 (catalogue)
Selections, Artists Space, New York, NY, curated by Valerie Smith, September 18 – October 18 (catalogue)
New Uses, White Columns, New York, NY, October 8 – November 1 -
2024
(Upcoming) Stages, in collaboration with Wang Lu, PS21, Chatham, NY, August 21, 2024. Percussion, Bonnie Whiting.
2021
Aftertouch, in collaboration with Wang Lu, commissioned by Claire Chase for Density 2036. Premiere: The Kitchen, New York, NY, December 9, 2021. Performed later at Carnegie Hall. Solo flute and live electronics, Claire Chase. Video and live performance. New York Times Review.
November Airs, in collaboration with Wang Lu, Collaboration premiere: DiMenna Center, New York, NY, December 9, 2021. Performed by Talea ensemble. Video and live performance.
2019
Rates of Extinction, with composer Wang Lu, Collaboration Premiere: February 2019; Miller Theater, Columbia University, New York, NY; Ning Yu, piano. Video and live performance
2016
The Sound of Ceramics, Polly Apfelbaum and Wang Lu, Cohen Gallery at Brown University, Providence, RI (catalogue) September 30 – November 25. Installation and live performance
-
2024
Residency Fellowship, MacDowell
2019
Pew Projects Grant
Creative Capital Award
2013
Distinguished Alumna, Temple Contemporary, Temple University, Philadelphia
2012
Rome Prize, American Academy in Rome, Italy
2011
Residency Fellowship, National Academy
2009
Residency Fellowship, Yaddo
Certificate of Honor Award, Temple University, Philadelphia
2005
Peter S. Reed Artist Grant, New York City
2003
Gallery of Success Seasoned Alumni Award, Temple University, Philadelphia PA
2002
Arts and Letters Award, American Academy of Arts and Letters
Hassam, Speicher, Betts, and Symons Purchase Fund, American Academy of Arts and Letters
1999
Joan Mitchell Grant
Diebenkorn Teaching Fellowship, San Francisco Art Institute and Headlands Center for the Arts
1998
Anonymous Was A Woman Grant
1995
Artist’s Fellowship (Sculpture) New York Foundation For The Arts
1994
Residency Fellowship, Yaddo
1993
John Simon Memorial Guggenheim Fellowship in Sculpture
Residency Fellowship, MacDowell
1992
Residency Fellowship, MacDowell
1987
Pollock-Krasner Foundation Grant
1986
Artist Grant, Artists Space
1984
Residency Fellowship, Ucross Foundation
1982
Residency Fellowship, The Millay Colony
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:
Allentown Art Museum, Allentown, PA
Armand Hammer Museum of Art, Los Angeles, CA
Belvedere 21 Museum of Contemporary Art, Vienna, Austria
Blanton Museum of Art, Austin, TX
Bowdoin College Museum of Art, Brunswick, ME
Brooklyn Museum of Art, Brooklyn, NY
Bronx Museum of Art, Bronx, NY
Cantor Center for Visual Arts at Stanford University, Stanford, CA
Carnegie Museum of Art, Pittsburgh, PA
Dallas Museum of Art, Dallas, TX
Des Moines Art Center, Des Moines, IA
Everson Museum of Art, Syracuse, NY
FRAC Nord-Pas de Calais, Dunkerque, France
Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
Henry Art Gallery, Seattle, WA
Israel Museum, Jerusalem, Israel
Kemper Museum of Contemporary Art, Kansas City, MO
Kunstmuseum Liechtenstein, Liechtenstein
Los Angeles County Museum of Art, Los Angeles, CA
Magasin 3, Stockholm, Sweden
Minneapolis Museum of Art, Minneapolis, MN
Musee d’Art Moderne de la Ville de Paris, France
Museum of Modern Art, New York, NY
Museum of Contemporary Art, Chicago, IL
National Academy Museum, New York
Nerman Museum of Contemporary Art, Overland Park, KA
New Mexico of Art, Santa Fe, NM
Orange County Museum, CA
Perez Museum, Miami, FL
Philadelphia Museum of Art, Philadelphia, PA
Pennsylvania Academy of Fine Art, Philadelphia, PA
Princeton Art Museum, Princeton, NJ
RISD Museum of Art, Providence, RI
Speed Art Museum, Louisville, KY
The Toledo Museum of Art, Toledo, OH
Whitney Museum of American Art, New York, NY
Williams College Art Mueseum, Williamstown, MA
Worcester Art Museum, Worcester, MA
Yale University Art Gallery, New Haven, CT
1978
BFA, Tyler School of Art, Elkins Park, PA
SUNY Purchase College, Purchase, NY
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2023
Rickards, Charlotte, “Polly Apfelbaum: A Nudge to Power,” Aesthetica Magazine, York, UK, May 4, 2023
2022
McQuaid, Cate, “Pop-up show in East Providence beckons with ‘OddKin’,” The Boston Globe, Boston, MA, June 7, 2022
Manthey, Stefanie, “Polly Apfelbaum, Kunstbulletin 6/2022,” Kunstbulletin, artlog.net, Zurich, Switzerland, June 26, 2022
2019
2018
2017
“The Potential of Women” Review at This is Tomorrow Magazine. October 18, 2017
Preview of “The Potential of Women” in The New Yorker’s “Goings about town.” September 2017
Cavanna, Aurélie. “L’art dans les chapelles – 26e édition” Art Press, Paris, France. July 26, 2017
Potet, Frederic. “Dialogue entre art contemorain et sacre” Le Monde, France. September 10, 2017
2016
Knight, Christopher. “Polly Apfelbaum’s fallen paintings and beads of devotion in her secular chapel of abstract art” Los Angeles Times, Los Angeles, CA. October 15, 2016
LinkOsberg, Annabel. “Michael Benevento: Polly Apfelbaum and Dona Nelson” Los Angeles Times, Los Angeles, CA. April 13, 2016
LinkShaw, Michael. “Continuing and Recommended” Artscene, Los Angeles, CA. May, 2016
LinkPagel, David. “Critic’s Choice: Renegade abstractions of Polly Apfelbaum and Dona Nelson make for a stellar art show”Los Angeles Times, Los Angeles, CA. March 18, 2016
Link2015
2014
Indrisek, Scott, “The Best Exhibitions of 2014,” Blouin Artinfo. Online
McQuaid, Cate, “Apfelbaum’s works shimmer with allusion in Worcester,” Boston Globe, December 11, 2014
Laurence Levey, “Floored,” Worcester Magazine, October 9, 2014Doug McClemont,”Polly Apfelbaum At Clifton Benevento,” ArtNews, October
Lauren O’Neil Butler, “Polly Apfelbaum Clifton Benevento,” Artforum, October p. 284
Jason Farago, “Polly Apfelbaum at Clifton Benevento,” The New Yorker, August 5
Lynn Hunter, “Polly Apfelbaum: A Handweaver’s Pattern Book at Clifton Benevento,” Textile Arts Center, August 5
Sarah Cowan, “Polly Apfelbum Plays with Pattern,” Hyperallergic, August 1
Karen Rosenberg, ‘Polly Apfelbaum: A Handweaver’s Pattern Book,’ The New York Times, July 25 pC20
“A Handweaver’s Pattern Book by Polly Apfelbaum,” Cura Online, June 17
Nathaniel Lee, “Polly Apfelbaum Clifton Benevento.” Modern Painters. September 2014, p85.
Newhall, Edith. “Two of the Same Stripe” Philadelphia Inquirer. June 29.
Monnier, Annette. “Rainbow Connection: Two artists team up to honor a titan of tint” Philadelphia City Paper. June 12
Russeth, Andrew. “Polly Apfelbaum: A Handweaver’s Pattern Book at Clifton Benevento” The New York Observer & The Gallerist NY. June 11
Kadour, Ric Kasini. “Polly Apfelbaum: Evergreen Blueshoes.” Art New England Online. June 7
Indrisek, Scott. “Polly Apfelbaum Gets Up Off the Floor” Blouin Artinfo. June 3
The Editors. “Polly’s Pathway: Polly Apfelbaum and Friends at Tyler and Clifton Benevento” Art Critical. June 2
Polston, Pamela. “Art Review: Polly Apfelbaum, BCA Center.” Seven Days. April 23
Kress, Noreen. “Seeing Stripes – a celebration of Gene Davis at Temple Contemporary” The Art Blog. May 27
Melamed, Samantha. “Acclaimed artist, Temple student team to pay tribute to Gene Davis’ stripes” The Philadelphia Inquirer & Philly.com. May 23
Rochester, Katherine. Critic’s Pick May 2014. Artforum Online. May
“Goings On About Town: ‘Petroleum Jelly.’” The New Yorker. April 7 – 14
2013
Robinson, Lissa. “Rewilding Modernity: Mendel Art Gallery, Saskatoon” Galleries West. Dec 3
Hirsch, Faye. “IFPDA Print Fair Mixes Historical and Contemporary.” Art in America. Nov 8
Schwendener, Martha. “The Subjects Aren’t the Same: Print Fair at the Park Avenue Armory.” The New York Times. November 7
2012
Rosenberg, Karen. ‘Pollly Apfelbaum: ‘Flatland: Color Revolt.’ The New York Times. April 19
Taft, Catherine. “Polly Apfelbaum: Michael Benevento”Artforum, January
Smith, Roberta. “The In-Crowd Is All Here ‘Regarding Warhol’ at the Metropolitan Museum.” The New York Times. September 13
2011
O’Neil-Butler, Lauren. “500 words: Polly Apfelbaum.” Artforum. May 19
2010
Barliant, Claire. “Not Extractions but Abstractions.” Time Out. July 19
Paige, Anne. “Fallen Paintings.” The Billings Outpost. April 8
Princenthal, Nancy. “Off Color: D’Amelio Terras” Art in America. November, p. 173
Smith, Roberta. “The Varieties Of Abstract Experience.” The New York Times. August 6, 2010, p. C24
Smith, Roberta. “Studiowork.” New York Times. July 16, p. C26
2009
Clark, Robert. “Exhibitions preview: Polly Apfelbaum, Milton Keynes.” The Guardian. March 22
Clark, Robert. “Polly Apfelbaum.” Art Monthly. March
2008
Harvey, Heather. “Polly Apfelbaum, Solvent Space.” Sculpture Magazine. April
2007
Coorner, Martin, “Polly Apfelbaum.” Time Out London. July 30
Cotter, Holland, Moma Plunge”, The New York Times. July 27
Dang, Gitanjali. “where there’s pink there’s a way.” HT Café, Mumbai, August 16
Dambrot, Shana Nys. “Polly Apfelbaum, Angles Gallery.” Modern Painters. April p. 97, illus.
Dormont, Linda “The Hand Making.” Art Matters. June, pp. 23-25
Greben S., Deidre. “Polly Abfelbaum and John Giorno.” Artnews. Summer, p. 99, illus.
Green, Malcomi (Translation). “Slingball.” exhibit in the Monchehaus-Museum for modern art Goslar 12.5.-1.7
Harvey, Heather. “Knee- Deep in Oeuvre”, Style Weekly. June 20,
Maddox, Georgina. “Inside Ouside – A New Yorker in love with Indian Art.” Art Beat, The Indian Express. August 6
Mallika Advani, “Check In” Art Beat, The Indian Express. August 13
Naves, Mario. “Painters Shape Up for Summer.” The New York Observer. July 31
Newhall, Edith. “Flower Prints Leave a Large Impression.” The Philadelphia Inquirer. October 19
Newhall, Edith. “A short course in abstract art.” The Philadelphia Inquirer. May 11
Newhall, Edith. “Art that borrows from crafts.” The Philadelphia Inquirer. Friday, April 20, illus.
Pagel, David. “Focusing on Art’s Ragged Edges”. The Los Angeles Times. January 19, p. E22, illus.
Steffy, Melinda. “Big Love at Locks Gallery.” The Evening Bullettin. October 19
Wilson, Mary, “The Fallen Painter”, Philadelphia City Paper. April
2006
Avgikos, Jan. “Polly Apfelbaum.” Artforum. March, p. 291, illus.
Sheets, Hilarie M. “Polly Apfelbaum.” Artnews. March p. 131, illus.
2005
Hirsch, Faye. “Abstract Generation.” Art in America. October, pp. 122-129, 191, illus.
Johnson, Ken. “Polly Apfelbaum: Cartoon Garden.” The New York Times. December 2, p. E29
Linsley, Robert. “The Shape of Colour.” Canadian Art
Milroy, Sarah. “Boom! Splash! Liking that Colour.” The Globe and Mail. June 25
“Sudden Revelations Found in Fields of Colour.” National Post. June 2
2004
Bembnister, Theresa. “Pretty Polly.” The Pitch. June 20-24, p. 31, illus.
Bonetti, David. “Apfelbaum makes flowers bloom in the winter.” The St. Louis Post- Dispatch. February 1.
City Star. July 4, 2004, pp. H1 and H3, illus.
Henry, Clare. “Dyeing for Acclaim.” Financial Times. July 12
Lyon, Christopher. “Report From Poland I: Constructing a Biennial.” Art in America. April, pp. 55-59, illus.
“Polly Apfelbaum’s ‘Fallen Paintings’ at the Kemper Museum.” Kansas CityMagazine. July, illus.
Thorson, Alice. “Apfelbaum faces uncertain times with beauty and art.” The Kansas
2003
Auricchio, Laura. “Polly Apfelbaum, Today I Love Everybody.” TimeOut New York. No. 397, May 8-15, p. 61, illus.
Dailey, Meghan. “Preview: Polly Apfelbaum.” Artforum, 52
Demos, T.J. “Polly Apfelbaum.” Artforum. October, p. 176, illus.
Hirsch, Faye. “Working Proof: Print Reviews.” Art on Paper. January-February, pp. 66-69, illus.
Herbert, Martin. “Polly Apfelbaum.” Frieze. October, p. 120
Institute of Contemporary Art. Vol. 22 No. 5, p. 15, illus.
Jana, Reena. “Polly Apfelbaum.” ARTnews. Summer, p. 158, illus.
Lloyd, Ann Wilson. “Seamstress of ‘Splats’ and 7,000 Asterisks.” The New York Times
McQuaid, Kate. “Giving meaning to flower power.” The Boston Globe. November 29, 2003, pp. D1-D2
Myers, Terry R. “Polly Apfelbaum.” Art US. November-December, p. 38-39, illus.
Newhall, Edith. “Polly Apfelbaum.” ARTnews. October, p. 138, illus.
Rice, Robin. “Puh-leeze Don’t Squeeze the Artwork.” Philadelphia City Paper. June 19-25
Sozanski, Edward J. “Colors, questions to floor you.” The Philadelphia Inquirer May 11, p. H10, illus.
Spaid, Sue. “Sumptuous Smorgasbord.” City Beat. December 10, p. 55, illus.
Stoilas, Helen. “Polly Apfelbaums: ICA Philadelphia.” The Art Newspaper. May p. 7
Znamierowski, Nell. “Polly Apfelbaum: Fallen Paintings.” Fiber Arts Magazine. November-December p. 60-61, illus.
2002
Higgie, Jennifer. “Spookie Knowledge.” Frieze. May, p. 87, illus.
Pagel, David. “A Supersatured Return to the Spirit of the Punk Era.” Los Angeles Times. May 10, p. F26, illus.
2001
Coles, Alex. “Drawings, Frith Street Gallery.” Art Monthly. May, pp. 30-32, illus.
Gordon, Wesley. “Polly Apfelbaum.” New Art Examiner. Vol 9, No 6, p. 54, illus.
Spaeth, Catherine. “As Painting.” New Art Examiner. Vol 29, No 1, illus.
2000
Addison, Laura. “Velvet ground. Polly Apfelbaum’s Materialism.” Portland Phoenix. February 4, illus.
Cann, Valerie. “Apfelbaum’s bolts of fabric loaded with fun and intrigue.” Maine Sunday Telegram. February 20
Dailey, Meghan. “Polly Apfelbaum, ‘Powerpuff’.” Time Out New York. November 23–30, 75, illus.
Frank, Peter. “Polly Apfelbaum, Kate Shepherd, Pure De(sign).” Los Angeles Weekly. April 13, illus.
Gold, Donna. “Eye of the Beholder.” Maine Times. February 17
Myers, Terry R. “Polly Apfelbaum.” Artext. 70, August-October: 86
Newhall, Edith. “The Fabric of her Life.” New York Magazine. November 20, p. 123, illus.
Ollman, Leah. “Fabric Pieces Revel in the Joy of Color.” Los Angeles Times. March 31
Phillips, Autumn. “Roll out the art.” Casco Bay Weekly. January 27, illus.
Williams, Alena. “Polly Apfelbaum.” art issues. Summer, illus.
“Working Proof.” Art on Paper. January/February
1998
Cotter, Holland. “A Tour Through Chelsea.” New York Times. May, p. E33
1997
Baker, Kenneth. “Polly Apfelbaum’s Suggestive Scatterings.” San Francisco Chronicle. July 31, p. C1, illus.
Bonetti, David. “Gallery Watch.” San Francisco Examiner. August 1, illus.
Condon, Elizabeth. “Polly Apfelbaum/ Lynn McCarty.” NewArt Examiner. Vol 25, No 7, March-April, p. 44, illus.
Conrads, Martin. “Popund Glam.” Zitty. February 28, illus.
Helfand, Greg. “Polly Apfelbaum.” San Francisco Bay Guardian. July 30, illus.
Kreis, Elfie. “Ein Toast auf den Samt.” Tagelspiegel. Feb 18, illus.
Porges, Maria. “Polly Apfelbaum San Francisco Art Institute.” Artforum. November, pp. 120-121, illus.
Rubenstein, Raphael. “Polly Apfelbaum.” Art in America. January, p. 93, illus.
1996
Edelman, Robert G. “Polly Apfelbaum.” art press. Issue 218, November, pp. 70-1
Landi, Anne. “Polly Apfelbaum.” Art News. 95.9, October 1996, pp. 136-7, illus.
Schwendener, Martha. “Polly Apfelbaum.” Time Out NY. September 4-11, p. 33, illus.
Smith, Roberta. “Polly Apfelbaum.” New York Times. September 6, p. E19
Thurson, Alice. “Polly Apfelbaum.” Kansas City Star. October 27, p. J3.
1995
Glueck, Grace. “Polly Apfelbaum.” New York Observer. April 10
Hess, Elizabeth. “Minimal Women.” Village Voice. July 15
Karmel, Pepe. “Color: Sign, system, sensibility.” New York Times. July 21
Schaffner, Ingrid. “Polly Apfelbaum.” Artforum. Vol 33, No 10, Summer, p. 107
Zimmer, William. “An Existential Installation.” New York Times. October 30
1994
Smith, Roberta. “Exhibition review.” New York Times. February 15
1993
Braff, Phyliss. “Hybrid Sculpture.” New York Times. June 13
Smith, Roberta. “Yours.” New York Times. January 15
1992
Avgikos, Jan. “Polly Apfelbaum.” Artforum. Vol 30, No 10, Summer, p. 109, illus.
Cameron, Dan. “(Critical Edge) The Changing Tide.” Art & Auction. January
Levin, Kim. “Choices.” Village Voice. April 7
Mahoney, Robert. “There is a light…” Arts Magazine. Vol 66, No 8, April, p. 91, illus.
Smith, Roberta. “Polly Apfelbaum.” New York Times. April 3
Smith, Roberta. “Abstraction: A Trend That May Be Coming Back.” New York Times. January 10
1991
Pagel, David. “Polly Apfelbaum.” Lapiz No 80, October: 83.
Mahoney, Robert. “Polly Apfelbaum.” Flash Art March-April.
Phillips, Patricia. Exhibition review. Artforum Vol 29, No 6, February.
1990
Grundberg, Andy. “A Force of Repetition.” New York Times. August 24
Mahoney, Robert. Exhibition review. Arts Magazine. Vol 67, No 4, February, p. 123
Myers, Terry R. Exhibition review. Lapiz. February, illus
Smith, Roberta. “Suggestive Objects.” New York Times. April 27
Weiner, Daniel. Exhibition review. Tema Celeste. Issue 24, January-March, pp. 67-68, illus.
Zimmer, William. “Repetition as a Theme.” New York Times. September 9
1989
Levin, Kim. “Voice Choices.” Village Voice. December 12
1988
Phillips, Patricia C. Exhibition review. Artforum. Vol 27, No 1, September, p. 141, illus.
Westfall, Stephen. Exhibition review. Art in America. Vol 76, No 12, December, pp. 155-156
1987
Rubenstein, Meyer and Daniel Weiner. Exhibition review. Flash Art. No 141, Summer, p. 137, illus.
1986
Harris, Patty. Exhibition review. 108 Review. March-April, p. 1
Pincus, Robert L. “New York’s Newest Artists.” San Diego Union. August 1
Westfall, Stephen. Exhibition review. Arts Magazine. September
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2024
Mothers of Invention: The Feminist Roots of Contemporary Art, By Eleanor Heartney, Helaine Posner, Nancy Princenthal and Sue Scott. Published by Lund Humphries Publishers Ltd. on 4th March 2024. 192 pages. ISBN: 9781848225404
Does Beauty Exist? No. 01. Essay by Graham Harman, Artwork by Polly Apfelbaum. Published by The Elizabeth Myers Mitchell Art Museum. 35 pages.
Polly Apfelbaum: For the Love of Una Hale, Catalogue published on the occasion of the exhibition For the Love of Una Hale, Arcadia University, Glenside, PA, February 3 – April 17, 2022. Curated by Richard Torchia. Essays by Jenelle Porter, Wayne Koestenbaum, Lisa Minardi, David Pagel, Tessa Bachi Haas, Jenni Sorkin, Ezra Shales and Richard Torchia. Published by Arcadia Exhibitions, Arcadia University. 208 pages. ISBN: 978-0-9762154-8-6
Woven Histories: Textiles and Modern Abstraction, Catalogue published on the occasion of the exhibition Woven Histories: Textiles and Modern Abstraction, National Gallery of Art, Washington, DC, March 17 – July 28, 2024. Curated by Lynn Cooke. SKU# 9780226827292
2023
Imaginary Friends, Catalogue published on the occasion of the exhibition Imaginary Friends, The Fundació Joan Miró, Barcelona, Spain, March 16 – September 11, 2023. Curated by Patrick Ronse and Martina Millà. Imaginary Friends is a story by Claudia González Caparrós designed by Milimbo, based on an exhibition project by Martina Millà and Patrick Ronse for the Fundació Joan Miró. The catalogue includes works by Polly Apfelbaum, Kasper Bosmans, Martin Creed, Afra Eisma, Meschac Gaba, Jeppe Hein, Paola Pivi, Pipilotti Rist and Erwin Wurm. English ISBN: 978-84-16411-70-2
To Weave the Sky: Textile Abstractions, Catalogue published on the occasion of the exhibition To Weave the Sky: Textile Abstractions, El Espacio 23, Miami, FL, November 2, 2023.
Parliament of Plants II. Accompanying Box. Box of 12 poster sincluding textual contributions by Ursula Biemann, Inês Grosso on Rivane Neuenschwander & Mariana Lacerda, Nigel Pitman on Thomas Struth, Athena Vida and Miki Yui. Conversations between Polly Apfelbaum and Roman Kurzmeyer, Anna Hilti and Hans-Jörg Rheinberger, Jochen Lempert and Christiane Meyer-Stoll, Uriel Orlow and Zheng Bo, Silke Schatz and Rita Kersting. Letters by Alevtina Kakhidze. Edited by Christiane Meyer-Stoll. Graphic design by Sylvia Fröhlich. Published by Kunstmuseum Liechtenstein, 2023. ISBN: 978-3-906790-48-0 (German/English)
Let’s Have a Talk: Interviews with Women on Art and Culture. by Lauren O’Neill-Butler. Published by Karma, New York, 2021. 448 pages. ISBN: 1949172538
2022
Women’s Work: From feminine art to feminist art, by Ferren Gipson. Published June 14th, 2022 by Frances Lincoln. “In the history of western art, decorative and applied arts – including textiles and ceramics – have been separated from the ‘high arts’ of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. …With biographical entries on each artist featured, as well as beautiful images of their artworks, Women’s Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.” ISBN: 9780711264656
Doppelte Artikulation: Schriften zur neueren Kunst II (Edition Voldemeer). by
2021
Electrical network: Künstlerbeiträge. Artists’ contributions, Volume 1. by Friedemann Malsch, Christiane Meyer-Stoll. 140 pages. ISBN: 9783906790442
2019
Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape an a bunch of flowers), Catalogue published on the occasion of the exhibition Waiting For the UFO’s (a space between a landscape and a bunch of flowers), Kemper Museum, Kansas City, MO, opens January 24th – April 28th. Curated by Erin Dziedzic. Essays by Mary Kemper Wolf, Erin Dziedzic, Lynn Zelevansky and Ezra Shales. Published by Kemper Museum of Contemporary Art. 68 pages. ISBN-10: 978-0-9962728-5
Less Is a Bore: Maximalist Art & Design. Catalogue published on the occasion of the exhibition Less Is a Bore: Maximalist Art & Design, ICA Boston, Boston, MA, June 26 – September 22, 2019. Text by Jenelle Porter, Elissa Auther, Amy Goldin, Jill Medvedow. Published by the Institute of Contemporary Art, Boston. 224 pages. ISBN: 0997253843
2018
Happiness Runs. Catalogue published on the occasion of the exhibition Happiness Runs, Belvedere 21, Vienna, Austria, September 7, 2018 – February 10, 2019. Curated by Stella Rollig. Essays by Patricia Grzonka, Johanna Hofer, Bob Nickas and Stella Rollig. Interview with Polly Apfelbaum by Kate MacNamara. Published by Verlag für moderne Kunst. 173 pages. ISBN: 9783903269002
Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape an a bunch of flowers), Catalogue published on the occasion of the exhibition Waiting For the UFO’s (a space between a landscape and a bunch of flowers), Ikon gallery, Birmingham, UK, September 19 – November 18. Curated by Jonathan Watkins. Essays by Alhena Katsof, Glenn Adamson and Jonathan Watkins. Published by Ikon Gallery. 36 pages. ISBN: 9781911155201
Play. by Patrick Ronse, Hilde Teerlinck. Published by Mer – Borgerhoff & Lamberigts. 160 pages. ISBN: 9492321971
New York Studio Conversations. Seventeen Women Talk About Art. By Stephanie Buhmann. Published by The Green Box, Berlin in 2016. 216 pages. ISBN: 978-3-941644-83-0
2017
L’ art dans les chapelles : art contemporain et patrimoine religieux : 26ème édition. Catalogue published on the occasion of the exhibition Life is not Black and White, Chapelle Saint-Jean, Le Sourn, for L’Art Dans Les Chapelles, Brittany, July 7 – September 17, 2017. Published by L’ art dans les chapelles 2017. ISBN : 978-2-9518634-0-8
2016
The Natural Flow of Things. Catalogue published on the occasion of the exhibition The Natural Flow of Things, Curated by Tania Pardo, La Casa Encendida, Madrid, Spain, Oct 13, 2016. 164 pages. ISBN: 978-84-617-4969-0 (purchase link)
2015
Polly Apfelbaum: Deep Purple, Red Shoes. Catalogue published on the occasion of the exhibition Deep Purple, Red Shoes, be part, Waregem, Belgium, March 20 – May 21, 2015. Curated by Patrick Ronse. Designed by Luc Derycke. Published by Be-part. 32 pages. ISBN: 9789491775963
“The Heroine Paint”: After Helen Frankenthaler. Edited by Katy Siegel. Contributions by Daniel Belasco, Carroll Dunham, John Elderfield, Barbara Guest, Harmony Hammond, Liz Hirsch, Suzanne Hudson, Carrie Moyer, Laura Owens, Lane Relyea, Dwight Ripley, Sterling Ruby, Katy Siegel, Amy Sillman, Howard Singerman, Tracy K. Smith, Mary Weatherford. Published by Gagosian. Design by Goto Design , New York. 272 pages. ISBN: 978-0-8478-4705-1
2012
Regarding Warhol: Sixty Artists, Fifty Years. Catalogue published on the occasion of the exhibition “Regarding Warhol: Sixty Artists, Fifty Years,” The Metropolitan Museum of Art, New York, September 18 – December 31; traveled to The Warhol Museum February 3 – April 28 (catalogue) Simpatico, Boston University Art Gallery, Boston, MA September 7 – October 21. Published by the Metropolitan Museum of Art and distributed by Yale University Press, 2012. 304 pages. ISBN: 9780300184983,
2011
Taking AIM! The Business of Being an Artist Today. Edited by: Marysol Nieves. Published by DeGruyter. 316 Pages. ISBN: 9780823244348
2010
Wild Things. by Lene Burkard and Morten Skriver. Catalogue published on the occasion of the exhibition “Wild Things,” Kunsthallen Brandts, Odense, Denmark, June 25 – September 19, 2010. Published by Kunsthallen Brandts. ISBN: 978-87-7766-108-2
Mini-Hollywood. by Robert Manchester, Essay by Kate McNamara. Catalogue published on the occasion of the exhibition “Polly Apfelbaum: Mini-Hollywood,” Yellowstone Art Museum, Billings, MT, April 1 – September 19, 2020. Published by Yellowstone Art Museum. ISBN: 0-9755185-4-2
Anguish. Thompson, Cynthia. Memphis, TN: Memphis College of Art, 2010.
2009
Vitamin T: Threads and Textiles in Contemporary Art. By Jenelle Porter. Published by Phaidon Press, April 3, 2019. 304 pages. ISBN: 0714876615
Polly Apfelbaum: Anything Can Happen In A Horse Race. Catalogue published on the occasion of the exhibition Anything Can Happen in a Horse Race, Milton Keynes Gallery, Milton Keynes, England, January 31 – March 22. Essays Morgan Falconer and Lauren-O’Neill Butler. Published by Milton Keynes Gallery. 160 pages. ISBN: 9780955761065
Boden und Wand / Wand und Fenster / Zeit. Catalogue published on the occasion of the exhibition Boden und Wand / Wand und Fenster, Helmhaus, Zurich, February 6 – March 29, 2009. By Roman Kurzmeyer. Edited by Helmhaus Zurich. Published by Edition Fink, Zurich, Switzerland. 148 pages. ISBN-13: 978-3-03746-136-5
Visual, Catalogue published on the occasion of the exhibition Stax, Inaugural Show, Carlow Visual Center for Contemporary Art, Carlow, Ireland, September 25, 2009 – January 16, 2010. 132 pages.
Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of the Museum of Modern Art, New York. by George D. Lowry. Catalogue published on the occasion of the exhibition Lines, Grids, Stains, Words, Fundacao de Serralves Porto, Portgal, May 9, 2008 – July 13, 2008. New York, New York: The Museum of Modern Art, 2008. Text by Christian Rattemayer. ISBN: 0968068650
La pintura y sus alrededores. En Torno a La Galerie Nachst St. Stephan Rosemarie Schwarzwalder de Viena. Catalogue published on the occasion of the exhibition Painting and its Surroundings, Palacio de Sastago, Zaragoza, Spain, May 29 -July 2009. Texts by Juan Manuel Bonet, Jan Thorn-Prikker, Robert Fleck, Markus Brüderlin. Published by Diputación Provincial de Zaragoza on July 19, 2009. 197 pages. ISBN: 978-84-9703-259-9
2008
Colour: (Documents of Contemporary Art). by David Bachelor. Part of the ‘Documents of Contemporary Art’ series of anthologies . Published by Whitechapel Gallery. 240 pages. ISBN: 0854881603
2007
Comic Abstraction: Image Breaking, Image Making. By Glen Lowry and Roxana Marcoci. Catalogue published on the occasion of the exhibition Comic Abstraction: Image Breaking, Image Making, The Museum of Modern Art, New York, NY, March 4 – June 11, 2007. Published by The Museum of Modern Art, New York; First Edition March 1, 2007. 160 Pages. ISBN: 0870707094
Pink. by Beth Citron. Catalogue published on the occasion of the exhibition Pink, Galerie Mirchandani + Steinruecke, Mumbai, India, August 8 – September 21, 2007.Galerie Mirchandani + Steinruecke, Mumbai, India, 2007
Like Color in Pictures. Catalogue published on the occasion of the exhibition Like Color in Pictures, Aspen Art Museum, Aspen, CO, February 16 – April 15, 2007. Texts by Heidi Zuckerman, Rhonda Lieberman, and James Welling. Published by the Aspen Art Museum in 2007. 80 pages. ISBN: 0934324395
2005
The Shape of Colour: Excursions in Colour Field Art, 1950-2005. Text by David Moos, Robert Hobbs, and Sarah K. Rich. Catalogue published on the occasion of the exhibition The Shape of Colour: Excursions in Colour Field, The Art Gallery of Ontario, Toronto, Canada, June 1 – August 7, 2005. Published by Art Gallery of Ontario, July 15, 2005. 112 pages. ISBN: 1894243455
Extreme Abstraction. by Louis Grachos and Claire Schneider. Buffalo, NY: Albright-Knox Art Gallery, 2005. Text by Louis Grachos and Claire Schneider. ISBN 1-887457-06-2
What do Pictures Want?. by WJT Mitchell. Chicago, IL: The University of Chicago, 2005. Text by W.J.T. Mitchell. ISBN 0-226-53245-3.
Populence. by david Pagel and Terrie Sultan. Houston, TX: Blaffer Gallery, Art Museum of the University of Houston, 2005. Text by David Pagel and Terrie Sultan. ISBN 0-941193-31-4
2004
Inside the Studio: Two Decades of Talks with Artists in New York, Edited with an introduction by Judith Olch Richards. Independent Curators International (ICI), New York, 2004. 296 pages. ISBN: 0-916365-70-0
A Kind of Bliss. Helen Legg, Kate Macfarlane and Katharine Stout. Catalogue published on the occasion of the exhibition A Kind of Bliss, The Drawing Room, London, UK, February 19 – March 20; traveled to Mead Gallery, University of Warwick, Coventry, England, May 29 – June 26, 2004. ISBN: 9780954266813
2003
POLLY APFELBAUM. Catalogue published on the occasion of the exhibition Polly Apfelbaum (mid-career survey), Institute of Contemporary Art, Philadelphia, PA, May 2 – July 27; travels to Contemporary Arts Center, Cincinnati, OH, December 5 – February 29, 2004; Kemper Museum of Art, Kemper Museum of Contemporary Art, Kansas City, MO, June 4 – September 5, 2004. Curated by Claudia Gould and Ingrid Schaffner with acknowledgments and an interview with the artist by Claudia Gould and essays by Tim Griffin, Irving Sandler and Ingrid Schaffner. Published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia. 87 pages. ISBN: 0884541037.
Polly Apfelbaum: what does love have to do with it. Catalogue published on the occasion of the exhibition What Does Love Have to Do With It, Massachusetts College of Art, Boston, MA, curated by Lisa Tung, October 21 – December 13, 2003. Curated by Jeffrey Keough and Lisa Tung. Essays by Lane Relyea, Libby Lumpkin and Jeffrey Keough. Published by Boston: Massachusetts College of Art. 79 pages. ISBN: 0970835760
Splat Boom Pow! The Influence of Cartoons in Contemporary Art. by Roger Sabin, Marti Mayo, Bernard Weldt, Valerie Cassel Oliver, Contemporary Arts Museum. 100 pages. Published by Contemporary Arts Museum, Houston. ISBN: 9780936080789
2002
Officina America Rete Emilia Romagna A Cura Di Renato Barilli Mazzotta 2002. Barilli, Renato (Curator); Barilli, Renato (Author); Weiermair, Peter (Prefacer). Catalogue published on the occasion of the exhibition “Officina America,” Galleria d’Arte Moderna (Bologna) ; Chiostri di San Domenico (Imola) ; Galleria Comunale ex Pescheria (Cesena) ; Palazzo dell’ Arengo (Rimini), 24 January – 31 March, 2002. Published by Edizioni Gabriele Mazzotta, Milan, Italy. 196 pages. ISBN: 8820215314
American Visionaries: Selections from the Whitney Museum of American Art. by Anderson, Maxwell. New York: Whitney Museum of American Art, 2002. ISBN 0810968312.
2001
Skulptur als Feld. Catalogue published on the occasion of the exhibition Sculpture as Field, Kunstverein Gottingen, Gottingen, Germany, July 29 – September 23, 2001. Written by Julia Otto with contributions by Ursula Panhans-Bühler, Julia Otto, Stefan Rasche, Nina Zimmer, Anja Marrack. Published by Kunstverein Göttingen. 128 pages. ISBN: 978-3-7757-9076-5
As Painting: Division and Displacement. Catalogue published on the occasion of the exhibition As Painting, Wexner Center for the Arts Ohio State University Columbus, Ohio May 11-August 12, 2001. Edited by Philip Armstrong, Laura Lisbon and Stephen Melville. Published by MIT Press, first edition May 11, 2001. 280 pages. ISBN: 9780262011839
Patterns: Monstring. Burkard, Lene. Catalogue published on the occasion of the exhibition Patterns: Between Object and Arabesque, Kunsthallen Brandts ,Klaedefabrik, Denmark, September 21 – December 17 (catalogue); traveled to Pori Art Museum, Pori, Finland, January 12 – March 10, 2002. Published by Kunsthallen Brandts. 163 pages. ISBN 87-7766-111-7
Waterworks: U.S. Akvarell 2001. Skarhamn, Sweden: The Nordic Watercolor Museum, 2001. Texts by Kim Levin and Berndt Arell. ISBN 91-89477-06-5
2000
Polly Apfelbaum: Installations 1996-2000. Catalogue published on the occasion of the exhibition Skin and Bones, Bowdoin College Museum of Art, Brunswick, ME, January 28 – March 19. Curated by Alison Ferris. Essays by Katy Kline and Alison Ferris. Published by Bowdoin College Museum of Art. 35 pages. ISBN 10: 0916606317
spilled edge soft corners. Catalogue published on the occasion of the exhibition Blackwood Gallery, The University of Toronto at Mississauga, Toronto, Ontario, Canada, January 14 – February 13, 2000. Curated by Barbara Fischer. Contributions by Polly Apfelbaum, François-Marie Bertrand, Eric Cameron, John Heward, Barbara Fischer, Andy Patton, Mary Scott, Jessica Stockholder and Robert Youds. Published by The Blackwood, University of Toronto Mississauga in 2000. 48 pages.
1999
Postmark : An Abstract Effect. by Louis Grachos. Essays by David Moos, David Pagel and Bruce W. Ferguson. Catalogue published on the occasion of the exhibition Postmark: An Abstract Effect, Site Santa Fe, NM, curated by Louis Grachos and Bruce W. Ferguson, March 27 – June 13, 1999. Published by SITE Santa Fe, December 1, 1999. 87 pages. ISBN: 0965058360
Chromaform: Color in Sculpture. by Frances Colpitt. San Antonio, TX: UTSA Gallery, 1999. Text on Polly Apfelbaum by August di Stefano. ISBN 0-9640911-1-9.
1998
Polly Apfelbaum. Catalogue published on the occasion of the exhibition Reckless, Museum of Contemporary Art, Kiasma; Helsinki, Finland, May 30 – August 30, 1998. Curated by Maaretta Jaukkuri. Edited and translated by Patrik Nyberg. Essay by Libby Lumpkin. Published by Studio K and Kiasma. 36 pages. ISBN 10: 9515317754
Every Day: Everyday. By Jonathan Watkins. Catalogue published on the occasion of the exhibition Everyday, 11th Biennale of Sydney, Australia, September 17 – November 8, 1998, organized by Jonathan Watkins. Published by Art Data, 1998. 282 pages. ISBN: 0731389247
Abstract Painting Once Removed. Essays by Dana Friis-Hansen, David Pagel, Raphael Rubinstein, and Peter Schjeldahl. Biographies and Bibliographies compiled by Alexandra Irvine. Catalogue published on the occasion of the exhibition Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, TX, April 23 – July 18; traveled to The Kemper Museum of Contemporary Art, Kansas City, MO. Published by Contemporary Art Museum, Houston, 1998. 111 pages. ISBN: 0936080442
1997
Other: 4th Contemporary Art Biennial of Lyon. Lyon, France: Réunion des Musées Nationaux, 1997. Texts by Thierry Raspail and Thierry
After the Fall: Aspects of Abstract Painting Since 1970. Staten Island, NY: Snug Harbor Cultural Center, 1997. Text by Lilly Wei.
Hanging by a Thread: Oct. 3, 1997-Feb. 17, 1998, the Hudson River Museum. by Ellen J. Keiter and Thomas Weaver. Catalogue published on the occasion of the exhibition “Hanging By A Thread,” Hudson River Museum, Yonkers, New York, NY, October 3, 1997 – February 17, 1998. Published by Hudson River Museum. 20 pages. ISBN: 0943651271
1996
Painting Outside Painting. Catalogue published on the occasion of the exhibition Painting Outside Painting, 44th Corcoran Painting Biennial, Corcoran Museum of Art, Washington, D.C., curated by Terri Sultan, December 16 – February 19, 1996. Seventeen-page essay by Terrie Sultan. Published by Corcoran Gallery of Art, 1995. 119 pages.
Painting – the Extended Field. Preface by David Neuman and Bo Nilsson, essay by Sven-Olov Wallenstein. Catalogue published on the occasion of the exhibition Painting-The Extended Field, Magasin 3, Stockholm, Sweden, October 13 – December 19 and Rooseum Center for Contemporary Art, Malmo, Sweden, January 25 – April 6, 1997. Published by Magasin 3 Stockholm Konsthall. 136 pages.
1995
Pittura Immedia: Painting in the 90’s. by Ritter Verlag Klagenfurt. Catalogue published on the occasion of the exhibition Pittura-immedia, Neue Galerie am Landesmuseum Joanneum, Graz, Austria. March 11 – April 18, 1995. Published by Neue Galerie am Landesmuseum Joanneum Graz and Ritter Verlag. 192 pages. ISBN: 3854151551
Re:Fab, Painting Abstracted, Fabricated and Revised, Catalogue published on the occasion of the exhibition Re:Fab, University of South Florida Contemporary Art Museum, Tampa, FL, October 30 – December 22, 1995. ISBN: 1-879293-10-2
1994
Sense and Sensibility: Women Artists and Minimalism in the Nineties. by Lynn Zelevansky. New York: The Museum of Modern Art, 1994. Text by Lynn Zelevansky. 613 pages. ISBN 0-87070-120-7 / 0-8109-6131-8.
1993
Future Perfect. by Dan Cameron. Vienna, Austria: Heiligenkreuzerhof Wien, 1993. Text by Dan Cameron. ISBN 3-86771-098-X
Empty Dress: Clothing as Surrogate in Recent Art. by Nina Felshin. Published by Independent Curators International. 72 pages. ISBN: 0916365395
1990
All Quiet on the Western Front. Catalogue published on the occasion of the exhibition “All Quiet on the Western Front,” Espace Dieu, curated by Antione Candau and Gerard Delsol, Paris, France, September 26 – December 31. Published by Espace Dieu.
A Force of Repetition. Catalogue published on the occasion of the exhibition A Force of Repetition, New Jersey State Museum, Trenton, NJ, July 21-September 23.
1988
Palestra. Published by Castello di Rivara September 1988. 79 pages.
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2023
2021
Let’s Have a Talk: Interviews with Women on Art and Culture. interviewed by Lauren O’Neill-Butler in 2011
2017
2014
2011
Cutler, Amy. “Small Worlds: An Interview with Polly Apfelbaum and Amy Cutler” from Taking AIM! The Business of Being an Artist Today. Edited by: Marysol Nieves.
2004
Inside the Studio: Two Decades of Talks with Artists in New York, from artist talk recorded by Judith Olch Richards on February 4, 1998. page 194
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Posters